An installation formed of six screens showing a horizontal image of a spruce and a man watching it.

Eija-Liisa Ahtila: Horizontal, 2011, 6min. 6-channel projected installation. Photo: John Berens, Marian Goodman Gallery

Finland’s contemporary art scene embraces everything from experimental artist-run initiatives and commercial galleries to flagship art institutions. There are over 3,000 professional visual artists, more than 55 art museums and numerous galleries packed into this northern country. Also, there are over 50 international artist residencies in Finland – the most in the world relative to the population.

The flourishing art scene is largely to the credit of a public art education system that has been well-funded, as well as a relatively healthy grants system that secures working opportunities for hundreds of artists every year.


At the turn of the 20th century, fine art played a major role in building Finland’s national identity while under the rule of the Russian Empire. During this period, ‘the golden age of Finnish art’, painters drew inspiration from Finnish nature and the national epic, The Kalevala. Trained in Paris, the art capital of the day, Finnish artists such as Akseli Gallen-Kallela and Albert Edelfelt helped the nation establish an independent sense of identity for the first time in its history.

Today, however, Finnish artists address a broad agenda of global issues. Still, Finnish art has its roots in a particular socio-cultural and geographical context. The cold, northern climate and the iconic landscapes of forests and lakes have had an impact on Finnish artists – not to mention the solitude, culture of silence, black humour and melancholy quintessentially characteristic of the Finnish mentality.


Among the best-known names in Finnish contemporary art are media art pioneer Eija-Liisa Ahtila, photographer Elina Brotherus and sculptor and installation artist Kaarina Kaikkonen – all women. In fact, the majority of Finnish artists are female, which is partly explained by a tradition of gender equality in education and the long legacy of independent female artists starting with painters Ellen Thesleff and Helene Schjerfbeck (1862–1946). Schjerfbeck can be counted among the great modernists in Western art, and she was one of the leading artists in Finland during her lifetime. Her career spanned 70 years from realism to spiritual and ascetic expression of the later years.

Today’s strong women painters – Anna Tuori, Rauha Mäkilä and Mari Sunna, to mention a few – follow in their footsteps.

Helene Schjerfbeck: Self-Portrait, Black Background, 1915. Ateneum Art Museum, collection Hallonblad.Photo: Yehia Eweis, Finnish National Gallery

TO post-internet art

Internationally, media art and photography are the most prominent fields of Finnish contemporary art. The Helsinki School has grown into one of the most recognised programmes of its kind. It was formed by a group of artists who attended or taught at the Aalto University School of Arts, Design and Architecture in the 1990s, including Hannu Karjalainen, Ola Kolehmainen and Jorma Puranen.

Media art rapidly established itself in Finland and now boasts numerous internationally acclaimed artists, such as Salla Tykkä, Mika Taanila and Erkka Nissinen. Younger-generation media artists, often flirting with post-internet art, to watch in the future include Diego Bruno, Sasha Huber, Tuomas A. Laitinen and Jaakko Pallasvuo, among many others.


Contemporary art museums are strengthening their foothold especially in Helsinki, Finland’s capital. The city centre will soon have a cluster of art museums: Amos Rex, Kiasma Museum of Contemporary Art, Ateneum Art Museum and Kunsthalle Helsinki. Ambitious art spaces have emerged elsewhere, too: The Serlachius Museums in Mänttä, a quiet small town about 270 kilometres north of Helsinki, recently opened a new museum space, Gösta’s Pavilion, and immediately won major architectural competitions with its ambitious design.

Another successful newcomer is the Museum Card, which allows card holders to visit over 200 participating museums across the country for an annual fee of 60 euros. The Museum Card has pushed museum visitor numbers to record levels.

Reima Nevalainen, Rootage, Galerie Forsblom 2014 Photo: Jussi Tiainen


  • Painting: Anna Tuori, Marika Mäkelä, Leena Nio, Heikki Marila, Jarmo Mäkilä, Rauha Mäkilä, Mari Sunna, Nanna Susi, Reima Nevalainen
  • Installation art: Kaarina Kaikkonen, Maaria Wirkkala, Terike Haapoja, Olli Keränen
  • Media art: IC-98, Eija-Liisa Ahtila, Pilvi Takala, Tellervo Kalleinen and Oliver Kochta-Kalleinen, Sasha Huber, Adel Abidin, Diego Bruno, Vesa-Pekka Rannikko, Mika Taanila, Erkka Nissinen, Salla Tykkä, Anna Estarriola
  • Photography: Helsinki School, Elina Brotherus, Esko Männikkö, Ola Kolehmainen, Sandra Kantanen, Santeri Tuori, Miko Rikala, Tiina Itkonen, Ville Lenkkeri, Ville Andersson
  • Performance: Nastja Säde Rönkkö, Antti Laitinen, Otto Karvonen, Essi Kausalainen, Leena Kela, Roi Vaara, Helinä Hukkataival, Mimosa Pale, Pilvari Pirtola

Finnish art thrives



Edited: 27.6.2020